Summary
Andrew Young discusses societal collapse and moral decay, drawing parallels between Isaiah’s ancient prophecies and modern times. He emphasizes the erosion of cultural values, which he connects to deliberate efforts in media and institutions to undermine traditional morality and beliefs.
Using his own experience at DreamWorks, he exposes how social engineering manipulates narratives, particularly targeting children, to reshape societal perceptions and dismantle core values, and calls for individuals to counter these influences by embracing their roles as righteous leaders, fostering strong family units, and working to create a Zion-like society.
Introduction
Scott Gordon: Our next speaker is well-positioned against our last speaker because we have Andrew Young, creator of DreamWorks movies, Microsoft Xbox video games, Project Veritas journalist, YouTube contributor, and Into the Verse Scripture Show. He’s Brigham Young’s great-great-grandson, Eagle Scout, married in the Diego Temple—15 years—and so we’re just going to turn the time right over to Andrew Young, who is going to start by showing a video.
Presentation
Andrew Young: Thanks for all you guys do.
Video Presentation
I keep my favorite books out like this—they’re easy to grab, begging to be read, and they bring a powerful spirit into any room. I travel all the time for my movie work and put the scriptures out and open in hotel rooms the same way. It makes any room, anywhere, a holy place. [Music plays]
Try it! You’ll never skip a day of reading again.
Isaiah Plain and Simple
One of my top 10 books of all time is Isaiah Plain and Simple. Oh, that purple, white, gold-trim cover—it’s timeless and beautiful, like its text. I read it to understand the Isaiah verses when I was 15, and it just blew open and expanded my mind. After reading it, the scriptures were easy. I could pretty much understand anything, and it gave me the true feeling of what it’s like to feast on the word. I felt fulfilled.
It puts the Isaiah biblical text right next to the Nephite text on the right and underlines the differences—subtle but profound differences. Remember, Nephi selected 13 special Isaiah chapters out of the 66 available and put them into a block in Second Nephi, specifically for us, for our benefit in the last days.
Isaiah as a Whistleblower
This is one of those special chapters Nephi hand-selected: page 23, Isaiah 3 / Second Nephi 13. I felt guided today by the Spirit to share this text with you even more than my own story.
In this chapter, Isaiah is the ultimate last-days whistleblower. Let’s read.
Isaiah speaks of a period of great social chaos and oppression. Sounds a lot like today. As noted in the overview, Judah will experience the deprivation of everything on which she depends. Judah, in these chapters Nephi hand-selected from Isaiah for us in the last days, is the type and shadow, or symbolism, of us in the last days.
Tips to Follow as We Read
So think about that while we’re reading. There will be a scarcity of food, warriors, and leaders in both the spiritual and political sense. The people will plead for capable leadership but to no avail.
Okay, let’s get into the chapter. With my pinky, I’m going to point to the Nephite text, and with my pointer finger, the biblical text. But I’m actually going to be reading the Nephi text, so follow the pinky.
The Lord of Hosts
“For behold, the Lord, the Lord of Hosts…” That’s the title the Lord has when He means business. It means the Lord of armies, or captain of the guard. So listen up.
“…does take away from Jerusalem, the capital, and from Judah, the Kingdom.” So you’ve got the political leaders and the people. There’s a problem across the board—leadership down to the bottom.
Stay and Staff
He’s going to take away the stay—what’s that?—and the staff. That means support: the whole staff of bread, their physical sustenance, and the whole stay of water, what they need for life.
He’s also going to take away the leaders. But stay here with me on the whole stay of bread and staff of water…
Check out what Victor Ludlow has to say about this—it’s amazing. “The Stay and staff: one meaning of the word stay is support. Staff also bears the connotation of being a support. In Hebrew, staff is the feminine form of the masculine stay. By using both forms,” noted Victor Ludlow, “Isaiah seems to suggest complete destruction—spiritual, social, and physical. Thus, the prophet’s language and imagery carry many implications beyond the threat of physical famine.”
He’s talking about when he said he’s going to take away bread and water. Removing the staff or support of a nation is analogous to suddenly taking away the props or stakes of a tent. The tent collapses, shapeless, on the ground. In essence, Judah is threatened with the total collapse of the support products, or people upon which she depends.
Who are the Stakes?
Now, let’s read about these people. Such a great commentary! Now back to those leaders, who are also at stake of being taken away. Who is it?
This part really rocks me. I feel responsible and part of this—like I can’t let people down. I need to be able to, with the greater light and knowledge I have, lead and set a good example. But look at what Jerusalem and Judah are being deprived of, both because the leaders aren’t rising up to what they’re supposed to be doing and also because the people aren’t deserving of having these righteous men lead:
Rather than them:
“And I will give children unto them to be their princes, and babes shall rule over them.“
Who are the Leaders and the Children?
What is this? The mighty man, the man of war, and those other leaders spoken of? When we look at the Hebrew words in this passage, we learn that among those of whom Israel will be deprived are leaders, mighty men, warriors, and military chiefs.
When it talks about the children to be their princes, Judah’s lack of leadership will be evident with the need to place the young and inexperienced—those who lack maturity and understanding—in these vital positions. Outsiders who lack understanding: Babes shall rule over them.
This is important because it shows that this leadership, of course, should have been exercised through the priesthood, as shown by Joseph Smith. Instead, you’ve got babes or children—those who would rule without the priesthood. This is not the leadership you need for a Zion, or for a Judah, or for us in the last days. This is broken leadership, resulting in:
Verse 5:
“And the people shall be oppressed, every one by another, and every one by his neighbor. The child shall behave himself proudly against the ancient (the elders and the wise), and the base against the honorable.”
Verse 6:
“When a man shall take hold of his brother of the house of his father…”
Who has the Birthright?
Why is he taking hold of his brother? His father should be leading. The father is not in the right spot—the father’s not leading—so he’s asking his brother:
“Thou hast clothing” (meaning the mantle or the birthright), “be thou our ruler,” because all the other guys aren’t ruling.
“And let not this ruin come under thy hand.”
Verse 7:
“And in that day shall he swear, saying: I will not be a healer (or anyone who can benefit or help anyone else); for in my house there is neither bread nor clothing: make me not a ruler of the people.”
Lack of Leadership
He’s got his own stuff—he can’t deal with helping other people because he’s got his own crap to deal with. Look at this: the brother is looking for anyone to help, any sort of leadership. The father should be in that role. The older brother, who’s supposed to be the first in charge and do what’s right, isn’t there. The younger brother is looking for any sort of security, any sort of stay, any sort of staff, and he can’t find it anywhere.
A failure of leadership in the family resulting in:
Verse 8:
“For Jerusalem is ruined, and Judah is fallen…”
Societal Collapse
This shows a larger societal collapse. Right after verse 7, where it shows the family and patriarchy—the father collapses, not assuming their responsibility and role as leaders—internal family collapse precedes large-scale societal collapse. And we’re seeing this because their tongues (what they say) and their doings (what they do) have been against the Lord, to provoke the eyes of His glory. The glory of the Lord, as the Pearl of Great Price says, is “to bring to pass the immortality and eternal life of man.”
This is temple work, and they were obstructing this very important work of eternal families. You could see it on their faces.
Look at verse 9:
“The show of their countenance”—that light in their eyes,” which we have to keep with us by staying close to the word—”doth witness against them and doth declare their sin,” their sin—or our sin—”to be even as Sodom.”
Even as Sodom
The sin of Sodom, obviously, includes homosexuality and sexual sins like rape, as we saw in the story of Lot in Abraham’s account. But it’s even deeper. Ezekiel took us into the world of the social and spiritual decaying cancer that was happening in Sodom, which was deeper, including oppressing the widows, not taking care of the children and the fatherless, and a deeper idleness.
There was also a lot of talk about the women being very, very vain. This was social and spiritual decay, and Isaiah is relating it to what is happening today.
“And they cannot, hide it. Woe unto their souls! For they have rewarded evil unto themselves.”
These are people who know better.
The Righteous and the Wicked
“Say unto the righteous that it is well with them, for they shall eat the fruit of their doings.“
Oh, that’s nice—finally, a ray of hope! There are righteous people in these times. There were righteous people then, and they will eat the fruit of their doings.
“Woe unto the wicked, for they shall perish, for the reward of their hands shall be upon them.”
Verses 10 and 11 are very, very visual and illustrative. They remind me of Lehi’s dream, where you’ve got the people eating the fruit and those in the great and spacious building falling because of their pride.
Let’s keep going.
“As for my people, children are their oppressors, and women rule over them.“
This refers to non-priesthood leadership and young, inexperienced leadership. Broken leadership results in:
“Oh, my people, they who lead thee cause thee to err and destroy the way of thy paths.“
Their patriarchy is being broken.
“The Lord standeth up to plead and standeth to judge the people. The Lord will enter into the judgment with the ancients“—those wise elders who should be correcting things—”and the princes“—the leaders.
“Therefore, for ye have eaten up the vineyard” (meaning the leaders are taking things for themselves and not dispersing them) “and the spoil of the poor is in your houses.“
The leaders are taking and destroying the poor.
The leaders are taking too much for themselves and not dispersing it. The the haves and have-nots are getting further and further apart. We’re seeing this today, like the end of a society with spiritual decay.
The Daughters of Zion
The barometer of virtue and morals in this chapter is the daughters of Zion. There are almost no changes between the biblical and Nephite texts here.
“Moreover, the Lord saith: Because the daughters of Zion are haughty and walk forth with stretched forth necks” (pride, not humility), “and wanton eyes” (seductive eyes that focus on carnality), “walking and mincing as they go and making a tinkling with their feet” (trying to bring focus to their bodies, not their spirits)—
A modern translation might say this as: the Lord will move their hair so the surface hiding a deeper problem can be seen.
He mentions the scabs that the Lord will bring, but it’s deeper—it’s their spirit, not being the compass of the society that women are in.
The Lord will Take Away
“In that day, the Lord will take away the bravery of their tinkling ornaments, and the cauls, and the round tires like the moon” (sounds like Dr. Seuss), “the chains, and the bracelets, and the mufflers, and the bonnets, and the ornaments of the legs, and the headbands, and the tablets, and the earrings, and the rings, and the nose jewels.”
I would add: the surgery and the Botox.
“The changeable suits of apparel, and the mantles, and the wimples, and the crisping pins” (that’s purses), “and the glasses” (which people think refers to see-through or transparent clothing), “and the fine linen, and the hoods, and the veils.” All concealing the spirit of the daughters of Zion. One of the last things to fall before a culture collapses is the moral and spiritual integrity of women.
Rent/Rope
“And it shall come to pass: instead of sweet smell, there shall be stink; and instead of a girdle, a rent.”
In modern translation, a rent has changed to a rope, meaning that instead of spiritual freedom and prosperity, there is bondage and slavery.
“And instead of well-set hair, baldness; and instead of a stomacher, a girding of sackcloth” (the clothing of mourning and sorrow in the Old Testament); “and burning instead of beauty.”
This references branding—again, a slavery reference.
“Thy men shall fall by the sword, and thy mighty in the war.”
The Gates
“And her gates,” now referring to Jerusalem—those gates and walls, the protective barriers that are the last defense—are the true strength of a society.
Isaiah says: “I have graven thee upon the palms of my hands, and thy walls are continually before me.”
Meaning, before an army stands the wall, but before the wall stands Jehovah—the true strength of protection.
“And her gates shall lament and mourn.”
Why are they mourning? Because they have forsaken (have we?) Jehovah, the one true strength.
You are Meant to Stand
“And she shall be desolate and shall sit upon the ground.”
You are not meant to be on the ground as a son or daughter of Zion. You are not meant to be sitting. You are meant to be standing—as a leader, an elder, a teacher, a mother, a father, a prophet, or a member of a church that brings light into the eyes and countenance of all of Judah or Zion in the last days.
The takeaway from all of this is that Isaiah was courageously whistleblowing 2,700 years ago. Nephi hand-selected this for us in the last days, around 600 BC. In 1995, Hoyt Brewster Jr. put this together so we could understand it in the last days. And oh wow, is this relevant in the 2020s, in the last days.
It reminds men from all walks of life to rise to their duty and be the righteous leaders they are meant to be—and not shirk their responsibility. The daughters of Zion must become who they were born to be in the last days: the defenders and exemplars of virtue and morals, not over-styled ornaments of seduction.
Youth must respect their elders, and elders cannot abandon their leadership, forcing youth to lead in their absence. We must not become as Sodom, following their pattern of physical, social, and spiritual destruction. Isaiah has shown us how to course-correct. It is up to us to courageously do so.
You can do this. We can reverse this. You were born for this. This is what you were born to do.
[Music plays]
Thank you.
Roles of Men and Women
It’s great to be here. Men and women—not in terms of worth, but in terms of design—are not equal. They’re complementary.
Take a man and a woman alone. But when you put them together in marriage, they become something greater than they could be alone: a family. Within this family, a man is designed to lead, to protect, and to provide—something that fulfills the woman–security.
The woman, in return, is able to provide something that the man cannot do himself, and that the world needs: to bring life.
The beautiful result is when we fulfill the measure of our creation as men and women and come together in marriage and create families. The result is our homes, our communities, and our world are enshrined with secure life.
It’s beautiful, isn’t it?
But what happens when we abandon this? Like what is happening today? Like what is in the proclamation to the family, what is in the temple, and what is in the scriptures? We end up with problems, and problems create something that I’m going to talk about with you today: whistleblowers.
Whistleblowers
Whistleblowers are created by problems. The only reason I’m here is because I was courageous enough to whistleblow in defense of all of you at DreamWorks.
But before we go there, I want to show you what happens—what whistleblowers are doing right now—because we are abandoning those truths I just talked about, the truths you find in the proclamation to the family.
(Young woman in video) I speak to you today as a victim of one of the biggest medical scandals in the history of the United States of America. At the age of 12, I began to experience what my medical team would later diagnose as gender dysphoria. My parents were immediately concerned. They felt like they needed to get outside help from medical professionals, but this proved to be a mistake.
I was fast-tracked onto puberty blockers and then testosterone. This caused permanent changes to my body. My voice will forever be deeper. My jawline sharper. My nose longer. My bone structure permanently masculinized. My Adam’s apple more prominent. My fertility unknown. I will never be able to breastfeed.
I look in the mirror sometimes, and I feel like a monster.
We need to stop telling 12-year-olds that they’re born wrong. Enough children have already been victimized by this barbaric pseudoscience. Please, let me be your final warning.
So, that’s a whistleblower within this month. It’s beautiful.
My Story
This is my story, and everything I showed you before, I felt guided to show you. This is my story.
This is from DreamWorks. You’ve seen the movies, but it’s actually not a story about DreamWorks. It’s a story about what social engineering is. That’s what I hope you can take away from today, along with whistleblowers—and then the finale.
This is the type of work I would do at DreamWorks.
Now for the fun stuff, right? It’s fun. It’s fun.
[Music plays, animations are shown.]
So I would create their hair, I would create their clothing, their facial expressions; It was a wonderful job.
So that’s the type of work I would do. Many of your children have seen it all over the world. I talk to them when I travel about this scene and that scene—they ask me about it. But there’s something else happening.
There’s another story.
The Other Story
It started with my mom. Her father pretty much abandoned her, and so her stepdad taught her art. She associates art with love.
When we grew up, she would always teach us art. So, from the womb, I’ve been trained in the creative. This is very rare. By the way, this is the road to get to DreamWorks, so I’m going to get there.
I went to high school and junior high doing Reflections, Sterling Scholar, and earning multiple scholarships to BYU for art. In fact, at first they wouldn’t let me into BYU because my math scores were low—even though my art was so good, but they gave me a scholarship. Isn’t that crazy? The rejection and scholarship letters came the same day.
I excelled there. I did really great, and I had offers from Disney—multiple offers from Disney. One of my biggest mistakes was turning down the chance to work on Rapunzel’s hair. I wish I could go back.
Instead, I went to Microsoft. I didn’t want to work on shoot-’em-up video games, so I left.
DreamWorks
I had an offer from DreamWorks, so I moved the family to Redwood City, California. I’m lucky to have a wife who is attracted to righteousness. Okay, guys—they are out there!
So she comes with me, and we love our life. We have one car, and, like a wonderful wife, she takes the car during our first week there to go on a surfing trip. I’m left with a beach cruiser bike. This is the path I rode—over overpasses and everything else. No one had tested the chain, and this was day one at DreamWorks. The chain fell off maybe six or seven times. I was sweaty, covered in grease, and late for my first day at DreamWorks.
There we go. Isn’t it beautiful? It was a dream. It still is.
It’s not easy to work at these places. You arrive, and you have to go through three months of grueling tests to make sure you qualify. They try to trip you up. You’re among the top of the top. This is the MBA for artists, just like Disney. You’re constantly tested, proving that you deserve to be there.
You’re with folks from all over the world—the greatest artists, the greatest creatives there are. My cohort, from Taiwan and San Francisco, is trying our hardest to make it. We make it in—it’s a dream.
The work is wonderful. It is the best job I have ever had.
The Type of Work I Do
Right, this is the type of work I do. I don’t have very much footage of me actually doing work. This particular one is actually at Microsoft because I wouldn’t film myself very often. Often, when you’re working, you don’t film yourself while you’re on the computer, writing code, or creating art. You film yourself when you need reference.
So, this is reference. And they would use me a lot because I can wiggle pretty good, and, you know, animate. You’ve got to have some animation! This is what we would do—use reference for how the characters would move and what they would do. We used this for our walk cycles, our animations, and our facial expressions.
A Clip from DreamWorks
Here’s one clip I have from DreamWorks because, again, I didn’t film myself very often. I was trying to make sure I could get this really important shot for Peabody and Sherman. It had to be timed perfectly, and it involved a piece of cloth that explodes on like an urn of coal in Egypt.
I had my friend from India helping me with the shot. It had sound, but for some reason, it’s not playing. Finally, we got something similar, and we were so excited.
I was able to create it, and it was very technically challenging to create this type of work. It’s very difficult. You would be amazed how much time and effort is spent on this artistry.
But when it’s all put together, it creates a cultural masterpiece that can uplift, help, teach, and be wonderful.
When Everything Changed
But, this is where everything changes.
They brought us into a meeting and told us they were going to go over the whole movie. After showing us the status of this particular movie, they asked: “Does anyone have any questions?”
One of my buddies—it’s important to mention that he is gay—by the way, we have very different views on life, but we have a great relationship because we’re both craftsmen. That’s important to the story.
He raised his hand to the director and the producer. These aren’t just any directors and producers—they’re very big names. These are the people behind The Lion King and Beauty and the Beast. Jeffrey Katzenberg himself was running the meeting.
So, we’re in the meeting, and my buddy raises his hand, very disappointed after seeing the progress of the movie and says, “Why is the villain so awful? What is the backstory? What are we doing? The story sucks!” (With a lot of curse words.)
The producer, frazzled, gets up. And then… this is where my world shifts.
Do You Know Who the Zealots Are?
She says: “Do you know who the religious zealots are? Do you know who the religious zealots are who voted for Proposition 8? That’s who she’s talking to.”
And my friend is like, “What? What are you talking about?”
I was sitting there with these great artists, these great people, with a wonderful career, and suddenly, I’m going back through the film in my mind, saying: Oh my gosh, I cannot believe what we’re doing. This is not a movie—this is a propaganda piece. The lawyer in it, the judge in it, the family situations—everything. I was like, I couldn’t even see it. I didn’t even know that this is what we were doing.
And by the way, it’s happening across everything. This was 10 years ago, back when people didn’t have words for this type of stuff. Now, it’s so blatantly obvious you can see it. Before, I would tell people—even in my family—and they’d say, “This is not happening. You’re a conspiracy theorist.” But I was like, “Mom, brother, I’m doing it.” Now we have words for it, which I’ll explain.
“We Can’t Do This”
Anyway, after a month, I said, “I can’t do this. I gotta talk to my manager.” I booked a meeting with my higher-up manager. I told her, “This is what we’re doing. We can’t do this.” She was mind-blown because we loved each other—this place was like a family. This wasn’t a clock-punching job. This was a life. You’ve trained for this for 30 years. It’s like being on an NFL football team.
And she says, “I… I have no idea what to do. You’ve just asked me to take your name off the credits? That you’re going to leave the studio?”
I was like, “Yeah. Do you think I want this?”
Why Was the Villain So Bad?
That’s the question he asked: “Why was the villain so bad?” That’s what started everything.
She puts me in with my next manager, and he says, “Andrew, whoa, whoa, whoa. Calm down. Calm down. What is going on?”
I said, “Look, look, I’m calm. I love this, but I can’t do this anymore.” This had been about a month.
And he says, “All right, I’m going to bring you into the room, and we’re going to go through every part of the movie that would offend a religious audience.”
The meeting lasted five minutes because I said, “Just Google what we’re putting in these mouths. Just Google the words!”
Up pops …the Heritage Foundation.
And up pops the Catholic Church.
Up pops the Mormon Church—the LDS Church– the Proclamation on the Family.
“We’re Not Being Deceptive Enough“
And he says, “Okay, this is beyond my pay grade. I’m sorry. But what you’re telling us,” and the other manager was there too, “what you’re telling us is that we’re not being deceptive enough.”
And he ended it.
This wasn’t an agenda. Every meeting I went through made it worse.
He sent me to the main manager, her name was Holly—a higher-up manager. I’m going to tell you what happened in there, but first, I need to make sure you understand everything that’s happened so far.
I learned in these meetings that this is not called “agendas,” or what you call today “woke,” or “brainwashing.” It is called social engineering. That is the term used for it. It is the architecting of people’s minds, and it’s best done for children.
I did tell them in the meetings that I would not go to media, but if anyone asked, I would be forthright in telling them the story. You need to understand, there is a great deal of liability in me telling this story. It does not help my career.
Social Engineering
How is this done?
Social Engineering
How do you form or architect the minds of children and people? It’s happening across the board at every studio, especially in children’s content. It’s happening in corporations. I see it everywhere. There are even inklings of it in our Church—and I’ll get to that later. Take the words of people you don’t like and put them in the mouths of villains. Or mimic what they do, how they dress, or how they behave. Have the villain say those words. Then have the villain do something psycho.
Association with Villians
The child now associates those words, or that person, or that group of people with villains. By the way, that was you, Catholics, the Heritage Foundation, Christians. They now associate you with villains. This is how you create young people who begin to say things of anger against you, and you have no idea why. They watch these on loop. Over and over and over again.
Who are the targets? I’m going to do this from the back: Jesus. You won’t believe one of the examples I’ll show you of how far it’s gone. Christianity. Conservatives. The Heritage Foundation. Capitalism. Tradition. Fathers. Mothers. Men. Patriarchy. The Church. Catholics.
These were specific ones we were targeting.
The Objective of Social Engineering
Why would anyone do this?
The answer is: You are in the way.
Your beliefs—my beliefs—what you think–are in the way of a lot of control and a lot of power. And if you can get rid of that “pesky father,” and if you can get rid of that “pesky church,” it’s sure a lot easier to run things.
The famous quote I love is:
“Any knee that bows to God is a knee that will never bow to a tyrant.”
So you’ve got to remove God.
Who’s doing this?
There are key people inside organizations, like DreamWorks or Disney, who are doing this. They get hired on, and they push this, but in our case, it appeared to be external people trying to push their will on DreamWorks for their own ends—or on other groups. So it can be external people. People say, “I want to use your platform and your megaphone to socially engineer.”
The organizations of culture, like DreamWorks and religions, are prime targets to socially engineer people.
Politics
Is it political? Yes. Were politicians involved? Yes. Do we have extreme connections in media with China and foreign countries? Yes. It would be outrageous not to tell you, because this is how it’s done in other countries, and they are implanting it here. There are massive motives and benefits for making deals with them. The largest middle-class population in the world—you know how much money you can make off of that? This was often brought up.
The key lesson, and this is what cost me my job. This is what cost me my money. This is what caused me too much pain. In that final meeting, Holly—a wonderful lady, trapped in a bad situation—asked me, “Andrew, what will keep you here? Look, I get this, this is a problem. We’ll switch you to different movies.”
I said, “It’s happening on all the movies.”
I have to give them credit for how they handled me.
“We’ll Never take it out unless the Audience Gets Mad”
I said, “Why don’t we do this–just take it out? We can just have a great story, like we always do—like Prince of Egypt or Shrek. Why don’t we just take it out? Kung Fu Panda? Oogway is divine!” (That’s the old turtle.)
“Or, if you’re not willing to take it out, let’s just tell people what we’re doing.” And then they’re okay, right? “I’m not going to take my kid because I don’t want this to happen,” or, “I will take my son or daughter because I agree with it.”
I gave them an example:
“What if we were pitching that everyone should have guns—something you hated? What if that was happening? Wouldn’t you be pissed that people were secretly pushing that and trying to indoctrinate your child?”
Oh, wow, that really stuck with them. I was like, Wow, I didn’t think that would work so well.
Her response was: “We’ll never take it out unless an audience gets mad.”
Who Controls the Movie Industry?
The lesson here that I hope you take away is that cost a lot of money, a lot of pain, and a lot of heartache to learn that, but that reveals who’s in control of Hollywood. Who is in control of the movie industry? Who does the director report to? Your money–you.
If you go to the movie theater and say, “I want my ticket back because there was social engineering in that film,” it doesn’t take that away from the theater—it takes it away from the studio. What you buy, what you go to, what you fuss about, what you get mad about, and what you allow, perpetuates more of the same thing.
If you go to the Barbie movie, they’ll make more Barbie movies. If you go to The Sound of Freedom, they’ll make more of The Sound of Freedom. So, that revealed who was in charge of the studio. That was mind-blowing to me. The audience can dictate what happens. Flip it. Flip it. That is one of the most important lessons.
The next lesson. She said, “We’re never going to take them out because people would be furious.” You would be furious if you found out this was happening, so “we’re never going to take them out.”
This revealed how dangerous it is to hide things.
It wouldn’t be so bad if they just came out and said, “You know what, we made a mistake. We’re going to let you know what it is and then keep doing it.” But hiding it? Hiding it is a far greater error. That’s what social engineering is.
We Need to Do Better
Last thing, I was not the only member of the Church there. We need to do better. If the other few members of the Church—who knew everything we know—had stepped up and helped more, I do believe we could have saved DreamWorks. I believe we could have saved the studio. You cannot be afraid, skittish, or a wimp when the time comes to stand up for everything you’ve been taught.
This is an example of social engineering: This example is against men. Watch what it’s doing. This movie is made for young boys. Watch what it’s creating young boys to become:
[Video clip]
“Wait a minute. When everyone became this special, didn’t we all become leaders?”
“No offense, I sense no leadership qualities from you. My readout confirms you to be soft, fragile, and a less-than-worthy opponent.”
“Hey! You watch what you say about Emmett! He saved the universe a few years back!”
“This guy was a fierce warrior?”
“Okay, well, technically I did the warrior stuff, but…”
“So, you fought and kicked butt. and then that hapless male was the leader?”
“U, you know, he was a symbol for … that we all have ideas and . . .”
“But you did all the work!”
“Whoa, hey! Emmett is the sweetest, most optimistic guy you could ever meet! And I know those qualities are not useful anymore, and that Emmett isn’t changing with the times, and lacks a killer instinct, and in general just isn’t tough enough! But this guy is the special. Well at least he was.”
“Silent!”
I can’t believe they were this frank. I can’t believe that got through. You might wonder why your boys are not growing up to be strong men.
Replacing Christ
I’m going to show you this one, because this is about as far as it gets. This is antichrist, replacing him. One of the the things they’re trying to do is get rid of traditions, marriage, men. But this is as far as I’ve ever seen it. This is Christ.
By the way, this is the relationship they want.
When we’re together, It’s my favorite place to be.
‘Cause when we’re together, It’s a holiday every night.
And when we’re together, then the season’s bright.
I don’t need the bells to ring, I’ll know when it’s here.
‘Cause when we’re together, I could stay forever.
And when we’re together, it’s my favorite time of year.
Wow. I think Arendelle has a new tradition. Thank you Olaf.
What you don’t know is that there was also supposed to be a resurrection scene right there as well—of Olaf, a gay snowman.
This is played over and over again. Thankfully, when this first came out, the public did not accept it. They abandoned it without knowing why—because it had so much social engineering in it that the story itself was ruined. And also, we still have enough soul and spirit in our culture that people recognized something was wrong here.
This is the goal: to replace Christ, replace Christmas, and replace tradition.
This one is about fathers. [short video clip]
This is the specific one I’m referring to. This was the one that busted open DreamWorks. [short video clip]
I’m going to leave it here.
This Character is You
What happens is there’s a character, her name is Grunion.
This is you. This is you. This is a Catholic. This is a Christian. She’s uptight. Everyone hates her. This is the one who had no backstory. Isn’t that ironic? They don’t know your backstory. They don’t know why you think what you do. Chances are, if they did, they wouldn’t write characters like this.
She does very cruel things to families. She does very cruel things to dogs. I’m not saying you do; I’m saying this character—they’re trying to associate these bad things with us. So shee does very cruel things.
She does something psycho, and then she screams, “The foundation of our society is the family!” And she chucks axes at everyone.
This is when Damon said, “We’re not being deceptive enough.”
The Line from the Proclamation on the Family
The line they grabbed—I wish I had a pointer—was from the very bottom of the Proclamation on the Family:
“We call upon citizens and officers of government everywhere to promote measures designed to maintain and strengthen the family as the fundamental unit of society.”
That’s what they wanted to associate with evil. Sad, they missed the part before it, where it talks about what happens when we do this.
That was it. This was the character. This was the social engineering. And amazingly—and applause to DreamWorks—once I brought this all up with them, they took it out. So, I’d like you to give a round of applause to them for saving the Proclamation on the Family in this movie, which millions of children all over the world—every country—watch. I talk to people I’ve never met about these characters and these things that happen. They all know them. And they took it out.
It took my job. It took my career. And it was hell to do, especially the aftermath. But that is what we saved, and that is what we have to continue to save.
They are still doing it. Disney is doing it. Several others are doing it. I’ll get to that in a minute.
The Long Version of My Story
That was the short version of the story. If you want to see the full version of the story, it’s in this podcast. I think that’s why they asked me to come here.
My neighbor asked me to go on this podcast and tell the story because she kind of knew about it. I had told her, you know, just in passing, when she asked about what happened and things. She asked me to go on the podcast, and I did it. So I think that’s why I’m here—because you guys heard it.
This is not to do anything other than to give you a visual example of what social engineering is.
Who is Making the Movie?
Who is making the movie here? It could be any politician or any activist. This is just one we took at DreamWorks. The moviemaker, the artist, the creative—they are not making a story. Someone else is creating a story with some sort of thing to put in it. I tried to find one of the Republicans so it would be equal. I only found Trump holding a Bible. When I asked, “Is there a video of Trump holding a camera?”
I would love to show you this part—but this is from the heyday of DreamWorks. How beautiful and wonderful it was.
The message I want to add to this is: you do not want a world without DreamWorks. You do not want a world without Disney. You do not want a world without your Church or without Boy Scouts. This was as beautiful as it got—Katzenberg and Spielberg making this–Moses interacting with Jehovah is one of the most beautiful, artistic, wonderful things you have ever seen in The Prince of Egypt.
But we’re not going to watch that. We’re going to watch what happened to DreamWorks.
[News Clip Begins]
Only on NBC Bay Area—it’s the end of an era. DreamWorks Animation, which gave us movies like Shrek and How to Train Your Dragon, is closing its Redwood City studios.
That’s a cosmic hundreds of jobs that will be cut. NBC Bay Area’s Scott Budman was invited to the studio’s last hurrah. It’s not here in Redwood City anymore.
[music]
I believe social engineering is a close sister to what you know as priestcraft—a close relative. It’s interesting how it has the ability to destroy whatever organization or culture it weaves itself into.
How does it do this?
When social engineering enters an organization, it prioritizes itself over the core value that organization provides.
At DreamWorks, it was good stories and movies. That became secondary to propaganda or social engineering—the message we had to tell. It destroyed the organization because people fundamentally didn’t like it.
This can happen in a church. It’s happened in Boy Scouts. It’s happening at Disney right now.
Whistleblowers: Training
I’m going to skip the next part, which is about what happens when we have problems, whistleblowers, and how, luckily, I’ve found a lot of other folks just like me.
I’ve made very good friends with people at ESPN, Trevor at Google, Ryan from Facebook, folks from the government, people in media, and even at Hasbro—all dealing with the same issues.
They always say, “You’ve got to get in the photo with us!” but I’m always the one taking the photos.This one’s from Project Veritas.
I’m going to go through this. I do think it will help the church, and I do think it will help all of us, if you understand how to deal with whistleblowers: why they come and what to do about them.
At the bottom, whistleblowers are a key marker before destruction.
Examples of whistleblowers:
You actually love whistleblowers.
- Joseph Smith—even God. Do you think God saying, “None of them are the right one,” is not a whistleblow?
- The Founders.
- The Gracchi brothers from Rome.
- Jesus.
- Snowden—all trying to do something important.
This one’s one of the best examples: it’s easy to love a whistleblower from then, but not one from today.
Here’s what you can photo if you’d like to know how to handle whistleblowers in an organization.
We—since they asked me to do this—are beginning to see this happen. 
There is a key problem with this whistleblowers, though, and it’s highlighted in the bottom right corner: He wants something. A whistleblower can not be trying to harm someone or gain something, especially cash.
I do not want to hurt DreamWorks. I want DreamWorks to thrive. I do not want to take anything from DreamWorks. I do not want any of these people to hurt Google or take anything from them. We want them to either let the public know what they’re doing or stop doing it. There’s no gain for us—only a lot of loss for doing this.
What to do–The Church
These are recommendations for what the Church can do.
There are indications that one to ten percent of this is happening within the Church, which is horrifying to me. We must be very careful not to let it infiltrate the Church. Whether it’s someone who has been socially engineered and then brings it into their lessons, or leaders doing it—it must be addressed.
I won’t go into this further, but I would like to speak with them privately to help ensure it doesn’t get out of hand like it did at DreamWorks.
What to Do–Families
This is my family.
People ask me all the time, “What am I supposed to do—not watch movies?”
Here’s what families can do. Because obviously your kids want to watch these. It’s very simple, and I can sum it up quickly:
You have to be the parent more than the false parents. More than the movies. More than the video games. We’ve found that video games and movies cannot influence children when there is a highly stable and interactive parent. Children will see these things for what they are—frivolous entertainment—not indoctrination tools.
So, you have to override the false parents of libraries, schools, universities, video games, movies, and journalism with time and presence.
What You Were Born to Do
I don’t know if you were born to be a whistleblower or fight social engineering, but I love what you do—answering people’s questions. You’re at a very unique time. Everyone else—except for one civilization that I can find—has failed from where we are now. We’re at the precipice, the inflection point, the crossroads. A mature nation will decide what it’s going to do.
You will either watch America become more and more like Sodom, following its pattern, and you will watch it do what Greece, Egypt, Persepolis, the British Empire, and Rome have done—and fall.
We are at that inflection point right now.
Zion vs. Sodom
It’s interesting—the way you get to Sodom and the way you get to Zion is the same: through every household. The men of Sodom knew where people were. They knew their neighbors, and they were promoting sin from door to door.
You—I believe you were born to decide if we will become like Zion or like Sodom.
And it happens home by home. Zion is not a lofty utopia. When it was created the first time, it was surrounded by evil. But its people had:
- One heart.
- One mind.
- They lived in righteousness.
- There were no poor among them.
- And their King was Jehovah, Jesus.
You create that in your home. It spreads from home to home, then to the community, and finally to the nation. We’re back from that though, we’re behind, we’re down. But we’re not there yet.
That is what I believe you were born to do.
Just like the Founders–they were born to bring a republic, to make the Constitution. Just like the pioneers—they were born to restore the Church. You’re at a point where, if you can succeed—and I believe you can, and that you have to succeed—history will look back and say, “They did what no one else could do.”
Maybe even other worlds will look to you when they haven’t been able to do this themselves. From Sodom to Zion—I believe that’s what you were born to do. I’m going to try to help you with it. I believe we can take our nation, our world, to a Zion-like state, because the alternative is not acceptable.
And I say this in the name of Jesus Christ, amen.
TOPICS
- Media
- Whistleblowers
- Youth
- Latter-days
- Parenting
